travel

The thing-ummy-bob.

"She's the girl that makes the thing that drills the hole that holds the spring that drives the rod that turns the knob that works the thing-ummy-bob"

the thing-ummy-bob.

The Gracie Fields 1942 song and used recently by merchant services provider Square. pretty much describes how complicated modern plant control can be, "the-thing-ummy-bob" could easily be used to describe all the wheels, valves, switches..even the graphical representations displayed on large screen displays in control rooms across the world. 

I have photographed epically large industrial complexes with state of the art automation..the kind of installations that everyone uses bicycles to get around..and there only being 2 people on shift to control it all. There's no arguing that the investment in making a safe, efficient, cleaner and a more productive plant is good news all around, but often there's no substitute for 'hands on' intervention.

It might just be one wheel attached to a valve amongst hundreds or even thousands that routes steam or product flow to a process or tank, but knowing just where to find that one valve when the screen graphic shows an adjustment or isolation is required come down to the mk.1 opertive.

The skill required just to turn a valve takes training, experience and knowledge, being able to recognise from a graphic on screen to the physical control "somewhere out there" only comes with 'hands on' experience..it's part of the whole package.

Industrial photographers do get to see a lot of thing-ummy-bob's, clients ask "we want to see people" ..not as easy as it sound's when there's so few around and they are all busy being productive, often this means seeing a potential image and having to return to the same spot with the 'model' and even then only getting 2-3 minutes before they are needed somewhere else. 

It's too easy to forget that industrial photography is not the most important thing -as an industrial photographer frustratingly it is to me (not that I take my work personaly…much!!)…that's where understanding your part in the grand scheme is important..my 'thing-ummy-bob' is just a small part of the process, it just needs planning and organisation to fit into the final product.

Airline hold roulette

Photographers problems.

photography hard cases

Wheels are good..especially if you work mostly on your own and are 'experienced' 

Shooting overseas is a pain..I love the travel and the photography but hate taking lights,stands and tripods etc on aircraft. Lets call it 'hold roulette', will the kit get damaged? To mitigate the risk I have hard cases (with wheels!) they are good for protection but bad for weight, will the kit get lost or stolen..spin the wheel!!!

The camera's, lenses, macbook etc I carry on-too valuable to lose or replace quickly on location. I have toyed with 'renting' locally the lighting but it's costly, the locations are always very far away from the rental store and it can mean leaving it to someone local to sort the receiving/return logistics (I'm a control freak) and just for a couple of heads, stands and softbox light shapers.

So we continue to play 'airline hold roulette'..maybe I need to hire some 'younger' legs to carry stuff from now on.

There are many case manufacturers but I use the ones from Trifibre  as they are great value.