commercial

Long summer days industrial photography.

Long summer days mean late nights.

Industrial photography.

Industrial photography.

Long summer days can be productive if you need sunshine and skies..but for dusk and night photography the days only mean very late finishes and early starts.

Getting just the right balance of darkening sky and the working lights influencing the scene can be a short window of opportunity.  The 'Golden hour'..and 'Blue hour' are often used to describe the changing light from day to night. Getting just the right time to get a night sky and yet still have enought light to contrast the structure against the sky to retain it's shape and form but still dark enough to let the working lights on the building or structure to create the magical pools of light is more an art of observation than science. 

Spring and Autumn are often a great time for dramatic skies full of colour as the low sun helps the high level clouds to 'catch fire'  but not everyone has time to wait for just the right sunset/sunrise so in the meanwhile it's sleep depravation time.

Oil and Gas Photographers

Oil and Gas Photographers.

Oil refinery photography

Oil refinery photography

Working in an explosive environment, I do like to have structure and order in my images..it adds to a visual composition that adds clarity to a photo - using people as scale and points of colour to draw the viewer into the photo.

Sometimes in complicated environments where there is a lot going on visually adding carefully positioned people into the image can add a controlled 'quite' moment in the chaos to help the viewer see and understand the context of the whole environment.

Oil and gas and energy photographers international industrial photographers.

Oil and gas and energy photographers international industrial photographers.

I was asked to describe my work recently and came to the opinion that my 'style' is 'classic industrial'..in so far as it's a style of imagery that shows the thing being photographed as recognisable and using it's own form to create a visual image that tells the story. 

Safety is paramount, all my camera and lighting kit is battery powered..and to the best of my knowledge there are no usable to the image quality and versatility required intrinsically safe housings for the camera and variety of lenses. So under permit working it's always a 'hot works' permit on the basis of there could be a source of ignition from the camera or battery with everyone wearing a gas detector to monitor the changing conditions… the regular 'chirp' of the detector always ever present.  

Battery Storage Capacity.

EDF to invest $8 billion in battery storage capacity.

Battery storage capacity.

Battery storage capacity.

Industrial photographers in Renewable Energy battery storage.

Photography of people in industrial location. Commercial, Advertising Photography.

Next time you complain about no charge on your mobile phone just think what happens if there was no electicity left to switch on the TV, lights or your computer. 

Think of the electricty demand peak events such as commercial breaks in the X factor finals or the forthcoming royal wedding, those peak demands on generation planning require many assets to be brought on line just at the right moment, those assets needing to be running at full power before switching in the generators to produce the electricity.

To be able to draw down at a milliseconds notice enough electricity to bridge the gap between demand and generation means generation resources can be used more efficiently, and store power produced by renewable sources.

EDF have announced an $8 billion (£7 billion) investment over the next 2 decades in battery storage capacity, having already commissioned and brought online a 49MW facility they are continuing to move towards reduced carbon eneregy production.  

Photography in a £1.13bn investment Biotech industry.

The UK's biotech industry according to the UK BioIndustry Association (BIA) saw investment of £1.13bn last year, positioning the UK as moving towards being the world's third largest biotech centre for life sciences.

UK Biotech research for life sciences.

UK Biotech research for life sciences.

The UK Bioscience sector along with Switzerland represents over 55% of the European total venture capital investments. Driven by the demand worldwide from aging populations there is a great demand for improved healthcare and drug therapies to combat age related illness' and conditions such as Parkinson's Disease, Vascular Dementia and Alzheimer's.

Lifesciences research and drug development.

Lifesciences research and drug development.

 It's good to hear that the biotech industry see's the UK in a very robust position going forward despite the uncertainties of Brexit, but compared to investments across the world- America Boston-£1.6bn and San Francisco-£1.5bn there is no place to complacent.

It is important that the Universities and Biotech companies make sure that the UK is an attractive place to study, research and invest not just for home grown talent but those from across the world wanting to be at the center of academic learning and commercial development.    

ISSUU Brochure.

Photographers in Print.

Industrial Photographers.

Delivering your portfolio..or at least getting your work in front of potential clients is always a challenge.

I have added to the footer on all my outgoing emails a link to my ISSUU industrial photography brochure, to try and 'engage' there's a pic of my ugly mug on page 2...well that can only go two ways!

Click on the image to go to the Issuu brochure, any comments welcome.

PDF Download here.

Where do we go from here?

Industrial Photographers UK.

True efficiency comes from understanding,delivering value through planning and knowledge on the road to economic strength.

It happens now and again..I get a call from a potential new client and if the opening gambit is 'can you come and take a couple of snaps..it'll only take 10 minutes' call me a cynical old photographer but by the time the last syllable has been spoken I have already emotionally distanced myself from the job.

There's nothing wrong with a '10 minute opportunity' to create great photography, however the 30+ years of knowledge it's taken to be able to bring those skills to the party and create a piece of work in the timeframe available should be enough for the artist to decide if a shoot can take 10 minutes.

One of my other favourite openers is 'we have a limited budget this time-can you do this first job cheap and we'll give you more work in the future' It's amazing how many times they never call back when I offer to shoot the first job at my normal rate and then offer a preferential rate on the second and third shoot. 

A client relationship has to start somewhere, I prefer it to start 'we think your work is a good fit for us' or 'we have seen the work you shot for xyz' This tells me that there is a real interest and investment in the process..a willingness to create..and mutual respect.

Perhaps it's just me or a place my career is in, but the things that interest me are projects that there is the opportunity to potentially create a defining image of a place, person or process. 

Maybe it's time to do a personal project and by my own client..talk about client from hell!